Skip to main content

And Just Like That, It Isn’t Easy Being Us

1998. It was several lifetimes ago when Sex and the City entered my life. I've learned, changed, discovered, evolved, and hit the reset button many times since Sex and the City debuted on HBO back in 1998. The person I was then wouldn't recognize who I am today, but Carrie, Samantha, Miranda, and Charlotte have remained with me through six seasons, two films, and—And Just Like That.

While at the Terra Farm + Manor

Sex and the City flourished for nearly a quarter of a century, as Carrie, Samantha, Miranda, and Charlotte learned, discovered, changed, and evolved—as all of us did. We empathized with their heartbreaks and celebrated their wins. We saw ourselves in all four women. I saw myself in each of them, sometimes uncomfortably so.

I haven't always agreed with the stories they told. For instance, I couldn't understand how Carrie, who had romanticized Paris, didn't go to Paris until Aleksandr invited her. She was in Paris, but she seemed to settle into loneliness and boredom. I always wondered why she didn't hop on a train to explore France beyond Paris, or even other countries. The train ride from Paris to London is less than three hours. Amsterdam is about three hours by train from Paris. Did she sabotage her days in Paris because she needed an excuse to return to New York to be with Big—John—without seeming to abandon Aleksandr for him?

I understood her obsession with Big, even through their affair while he was married to Natasha and she was with Aiden. Sometimes, the voice from our hearts is much louder than the one from our minds. I understood her when she returned to him even after he broke her heart on their wedding day. When she took the blame, or at least part of it, I was disappointed. Don't enough of us internalize blame when men inflict damage on us?


Does Carrie self-sabotage? I don't consider her an emotional masochist, although her tenacity for Big often felt less like love and more like self-harm. That story—that if a woman gives a man endless chances, he will eventually love her as she desires—is a familiar fiction. That fairytale was shattered when Carrie questioned whether Big had been a mistake after Aiden returned to her life. Sometimes, we live emotionally in the past rather than inhabiting the present. It is something I continue to work on—allowing the past to remain where it belongs while aligning my emotions with the present.

Is Carrie a hoarder? We all know she is a hoarder when it comes to fashion, but is she an emotional hoarder? Aiden hadn't changed much. His insistence on forward motion—gentle, but unyielding—remained intact. He moved through life with “everything is rainbows and unicorns” optimism, even when there were signs of trouble. He hadn't learned that pushing through red flags often destroys rather than resolves. She was drawn again to the same man she couldn't see herself marrying—the same man she had once betrayed with Big. With Big gone, did she simply recycle the feelings of her past because it was less frightening than searching for something new?

And why do we have to be with someone to be happy? I'm happy being a party of one. I have moments when sharing would be nice, but don't couples, at times, wish for solitude? Not every moment can be bliss filled with rainbows and unicorns. Samantha showed us that satisfaction in life doesn't require a man.

At times, Samantha was too much. I appreciated her unapologetic pursuit of sexual gratification. I loved her for showing that sex is a pleasurable physical act, while intimacy is sex with emotional connection—and neither is wrong. She showed up with vulnerability when in love and revealed that a woman’s sexual desire does not make her incapable of love. She showed us sex not as transaction, but as pure pleasure.

I was sad when Samantha was written off on And Just Like That. I didn't appreciate how she was portrayed as having fled to London to avoid the humiliation of being fired by Carrie. Samantha is much stronger than that, and I hoped she would return to New York for Season Three, although we may have to wait as industry strikes continue and the dust settles.


I didn't mind Miranda being a lesbian—or perhaps pansexual. None of that bothered me as she ended her marriage with Steve to be with Che. I didn’t like Che. At times, she read as more performative than self-assured. I initially found her refreshing, with an “I am who I am” and “I do me” attitude. But that confidence began to feel less like clarity and more like immaturity—an assumption that being the center of one’s own universe extends to the one we all share.

Of all the characters who remained at the end of Season Two of And Just Like That, Harry and Anthony are my favorites. I loved Harry's reaction to finding out about Rock. His not-so-accepting reaction at first during the parent-teacher meeting felt real. A parent’s immediate acceptance without questions or hesitation can feel less like engagement and more like distance. Isn’t it human for parents to experience confusion—or even a sense of loss—when their understanding of their child shifts so fundamentally?

Charlotte and Harry approached a deeply contested issue—one being argued across school districts nationwide—with care, love, and a measure of reality. Questions, concerns, confusion, and even doubt from parents are not necessarily rejection, but often reflect the human response to unfamiliar change. Just as anyone requires time to adjust, parents may need time and understanding rather than demand for immediate acceptance. What does it mean for a parent-child relationship when time for understanding is replaced with threat of exclusion? And should there be space for parents to arrive at acceptance, rather than being denied the opportunity to fully engage in their child’s life?


Anthony stood out most in his vulnerability, particularly as he navigated a new relationship with Giuseppe. It doesn't get more real than firing someone you care about, fueled by insecurity, only to realize what you’ve lost. Haven't we all, at some point, pushed someone away out of fear? With the lesson from Stanford's letter, Anthony opens himself—no pun intended—to something unfamiliar, in the hope of something better.

The struggles of love and life persisted. We saw Charlotte return to work while Harry, Lily, and Rock struggled to adjust. Lisa's struggle between career and pregnancy ended in heartbreak. The loss, the guilt—it all felt real, a reminder that sometimes there are no good choices, only difficult ones.

A great deal more unfolded, including the stories of Nya and Seema. In its twenty-five years, the series has remained relevant because it understands that life is layered, contradictory, and deeply personal. We are shaped by our experiences, carrying both confidence and insecurity in equal measure. It isn’t easy being us—but we keep going, because life unfolds, quietly and unexpectedly, just like that.

_____
More essays:

ESSAYS | RECIPES | STYLES | IG

Comments

Popular posts from this blog

Newsom's Affair: Somewhere Between His & Her Stories

Did Ruby Rippey lose her voice twenty years ago, as she suggests in her Vanity Fair essay, when her affair with then San Francisco mayor Gavin Newsom exploded into public scandal, or did she simply have no defense to offer at the time? Perhaps Kamala Harris’s advice that she remain silent was not merely counsel to let time provide clearer perspective, but the advice of an attorney who understood that no arrangement of words could defend what Rippey had done to Alex Tourk, her husband at the time. By Pablo Picasso at LACMA For the record, I have said before that I will never vote for Gavin Newsom. My opinion of him is exceptionally low. So none of what follows should be mistaken for a dispatch from Team Newsom. It was not until I read Rippey’s essay that I learned of Newsom’s affair with her. From it, I learned that she worked for him. What elevated the story from garden-variety political infidelity to something approaching daytime-soap-opera tawdriness was that Rippey was married to Ne...

The Art of the Cold Shoulder

The shoulder has repeatedly been treated as one of fashion’s safest ways to be sensual. Most of us give Brigitte Bardot the credit for making the off-the-shoulder silhouette iconic—and certainly, few wore it with more persuasive nonchalance—but fashion history tells a far longer story. Recognizable versions of the neckline appear as far back as the 17th century, when European bodices widened and dipped low enough to reveal both the décolletage and shoulders. By the 19th century, the silhouette had become a fixture of evening dress. Queen Victoria herself wore a broad, shoulder-baring neckline for her 1840 wedding, and through the 1850s and 1860s, off-the-shoulder ball gowns paired tightly corseted bodices with sweeping skirts and bertha collars that framed exposed shoulders in lace, silk, and ruffles. Victorian modesty, it turns out, was considerably more situational than its reputation suggests. Calouste Gulbenkian Museum in Lisbon, Portugal The silhouette continued to surface as fash...

Oh Snap! BTS Just Made the Grammys Irrelevant

I am not ARMY. The first BTS member to intrigue me was J-Hope, who appeared last year on one of my favorite Korean shows, Chef & My Fridge, with his refrigerator in tow. There, I learned that he had performed at Le Gala des Pièces Jaunes at Paris La Défense Arena at the personal invitation of Brigitte Macron, France’s first lady. Naturally, I found the performance on YouTube. Thirty-five thousand people filled the arena as thousands of voices in France roared the Korean lyric, “adeuri neom jal nagaseo mianhae, eomma.” One need not own a purple light stick to recognize that kind of cultural power. Afterward, I became mildly obsessed with J-Hope and, by association, BTS. Original photo by Sudhith Xavier. Photoshop by ChatGPT. A song currently in heavy rotation on my playlist is SWIM, from their latest album, ARIRANG. The album debuted at No. 1 on the Billboard 200 and remained there for three consecutive weeks. During its debut week, its songs occupied the top nine positions on the...

Pasta al Tonno: A Korean Gal’s Ramyeon in Pasta

Growing up Korean, ramyeon was the reliable quick meal: intensely satisfying, reliably filling, and unlikely to leave much of a dent in the bank account. It was a cheap thrill, the sort of thing we were regularly warned was not particularly healthy while continuing to keep it stocked in nearly every Korean home. That contradiction was built into its history. Korean ramyeon was introduced in 1963, with government financing, as one possible response to South Korea’s severe postwar food shortage. Ceramic bowl was wheel-thrown and glazed by me. Once regarded largely as budget food, ramyeon now commands a global following that could almost compete with BTS. ARMY, please hold the hate mail. Pasta al tonno may not share ramyeon’s austere, mission-driven origin, but it occupies a similarly dependable place in many Italian kitchens, particularly among younger cooks and college students. It is quick, inexpensive, and deeply satisfying without putting an unnecessary dent in the wallet. Humble ...

Shrimp & Kimchi Inari

Inarizushi emerged in Japan during the Edo period, when seasoned fried tofu pockets filled with vinegared rice became popular as inexpensive street food. Its name is tied to Inari, the deity associated with rice, agriculture and prosperity, and to the foxes regarded as Inari’s messengers and linked in folklore to fried tofu. Inari, however, has never been Japanese to me. Growing up in South Korea, I knew it as yubu chobap, a meal my mom packed for school lunches and picnics—and one that always felt like a treat. Rather than sushi rice, she filled the tofu pockets with different kinds of fried rice. Perhaps that is why I have never regarded the pouch as something requiring too much fidelity. Shrimp & Kimchi Inari is my homage to kimchi fried rice, only quieter: shrimp and kimchi folded into rice with less seasoning than I would ordinarily use for the fried rice version. The restraint is intentional. The lighter seasoning leaves room for the fried tofu skin, with its distinctive swee...

Curated: Ballet Flats for Fashionistas

The ballet flat began, quite literally, with a foot in the theater. Claire McCardell and Capezio helped coax the slipper from studio floor to city pavement in the 1940s, while Audrey Hepburn and Brigitte Bardot later supplied the sort of cinematic endorsement no advertising budget could manufacture. What had been designed for pliés became a shorthand for modern femininity: graceful without fragility, polished without the architectural inconvenience of a heel. at Musée d'Orsay, Paris, France Its staying power lies in that contradiction. The ballet flat is delicate but practical, prim but faintly rebellious—the shoe of a woman who has somewhere to be and no intention of arriving with sore feet. And so, with a small curtsy and considerably better arch support, here are 12 curated ballet flats ready to take their turn in the spotlight. ANCIENT GREEK SANDALS Iro PVC Ballet Flats JavaScript is currently disabled in this browser. Reactivate it to view this content. ANCIENT GREEK SANDALS I...

Debaucheries of the Far Right

That, in the simplest terms, is how I understand the recent rulings of the Supreme Court of the United States. We are now free to carry concealed handguns without meaningful state regulation. Women and girls are being forced to give birth, even in cases of rape and incest. We are increasingly unrestrained in our destruction of the environment. Prayer is being ushered back into public schools under the guise of freedom. What else can this be called, if not the debaucheries of this nation’s far right? Photo by Fred Moon on Unsplash When I began writing about political and social issues, it was not merely to register my personal views. It was to draw attention to something larger: the state of our shared humanity. Last November, when I referenced New York State’s gun control case before the Supreme Court alongside a recipe , I did not analyze the ruling in detail. I wrote instead about the deeper unease it stirred in me—the sorrow of realizing how many people live in such fear of one a...

Curated Sunglasses: Shades Without the Mourning

Sunglasses began as utility: a practical defense against glare, wind, and the indignities of squinting. Then fashion claimed them. Frames grew bolder, lenses darker, silhouettes more deliberate, until sunglasses became less an accessory than a small act of self-invention—the quickest way to suggest mystery, polish, or studied indifference. I lose sunglasses the way other people lose packs of gum: casually, repeatedly, and without explanation. After enough expensive disappearances and appropriate mourning periods, I now wear budget-friendly pairs almost exclusively. These 12 curated sunglasses offer the pleasure of a fashion statement without requiring a period of mourning when one inevitably vanishes. The trouble with a small indulgence is that shipping can cost nearly as much as the thing itself—unless, of course, one reaches the minimum. To spare us that particular absurdity, all 12 were curated from Amazon Prime. JOOPIN Oversized Sunglasses ZENOTTIC Retro Square Polarized Sunglasses...

Seafood Jajang Deopbap

Jajang, born from Chinese zhajiangmian and transformed in Korea into the rich, dark sauce made with chunjang, has become woven into the fabric of Korean everyday life. What began as an adapted working-class meal of black bean sauce (jajang) over noodles (myeon) in port cities has evolved into a national comfort food, synonymous with quick delivery, moving days, and casual family meals. Jajangmyeon was the pizza and burgers of my childhood. End-of-school semesters and good test scores were acknowledged with jajangmyeon. My grandparents always had it delivered when I stayed with them during school breaks, a proper opening to days of my grandmother’s home-cooked meals to come. Ceramic bowls were wheel-thrown and glazed by me. Its presence is as cultural as it is culinary: from shared bowls among students and office workers to its symbolic role on Black Day, when singles gather to eat jajangmyeon together. It is the unofficially official meal on moving day. More than just a sauce, jajang r...

Tôm Rim: Caramelized Prawns

Inspired by Anaïs Aa Dao Van Manen’s Vietnam, the cookbook published by Phaidon , I set out to cook Vietnamese food for myself. There is a certain satisfaction—a quiet, private sense of achievement—when we learn to cook within a familiar cuisine that our hands have never actually prepared. I did not realize, until drifting through the pages of Vietnam , how central caramelized sugar is to the cuisine—often referred to as a caramel braising sauce. After my first failed attempt at following the Tôm Rim recipe from the cookbook, I turned inward to develop a version that simplifies the process while preserving the dish’s essential tension: the salinity of fish sauce meeting the sweetness of caramelized sugar. INGREDIENTS [serves one with rice] fourteen whole prawns, shells on, slit along the back and deveined two tablespoons of vegetable oil one tablespoon of sugar one tablespoon of fish sauce one tablespoon of Cambray onion, white part only, diced one tablespoon of red onion, diced one cl...