Exhaling Life

The ballet flat began, quite literally, with a foot in the theater. Claire McCardell and Capezio helped coax the slipper from studio floor to city pavement in the 1940s, while Audrey Hepburn and Brigitte Bardot later supplied the sort of cinematic endorsement no advertising budget could manufacture. What had been designed for pliés became a shorthand for modern femininity: graceful without fragility, polished without the architectural inconvenience of a heel. at Musée d'Orsay, Paris, France Its staying power lies in that contradiction. The ballet flat is delicate but practical, prim but faintly rebellious—the shoe of a woman who has somewhere to be and no intention of arriving with sore feet. And so, with a small curtsy and considerably better arch support, here are 12 curated ballet flats ready to take their turn in the spotlight. ANCIENT GREEK SANDALS Iro PVC Ballet Flats JavaScript is currently disabled in this browser. Reactivate it to view this content. ANCIENT GREEK SANDALS I...

Growing up Korean, ramyeon was the reliable quick meal: intensely satisfying, reliably filling, and unlikely to leave much of a dent in the bank account. It was a cheap thrill, the sort of thing we were regularly warned was not particularly healthy while continuing to keep it stocked in nearly every Korean home. That contradiction was built into its history. Korean ramyeon was introduced in 1963, with government financing, as one possible response to South Korea’s severe postwar food shortage. Ceramic bowl was wheel-thrown and glazed by me. Once regarded largely as budget food, ramyeon now commands a global following that could almost compete with BTS. ARMY, please hold the hate mail. Pasta al tonno may not share ramyeon’s austere, mission-driven origin, but it occupies a similarly dependable place in many Italian kitchens, particularly among younger cooks and college students. It is quick, inexpensive, and deeply satisfying without putting an unnecessary dent in the wallet. Humble ...

Sunglasses began as utility: a practical defense against glare, wind, and the indignities of squinting. Then fashion claimed them. Frames grew bolder, lenses darker, silhouettes more deliberate, until sunglasses became less an accessory than a small act of self-invention—the quickest way to suggest mystery, polish, or studied indifference. I lose sunglasses the way other people lose packs of gum: casually, repeatedly, and without explanation. After enough expensive disappearances and appropriate mourning periods, I now wear budget-friendly pairs almost exclusively. These 12 curated sunglasses offer the pleasure of a fashion statement without requiring a period of mourning when one inevitably vanishes. The trouble with a small indulgence is that shipping can cost nearly as much as the thing itself—unless, of course, one reaches the minimum. To spare us that particular absurdity, all 12 were curated from Amazon Prime. JOOPIN Oversized Sunglasses ZENOTTIC Retro Square Polarized Sunglasses...

Los Angeles has proudly shouted ICE Out. The slogan is morally uncomplicated. Immigration is not. At the Dodger's Stadium, April 2025 I cannot join the chant—not because I excuse the Trump Administration’s conduct, but because I believe in the rule of law. It must bind everyone: those living in this country without legal status, the officers charged with enforcing immigration law, and the federal government that gives those officers their authority. Removal can be a lawful consequence of lacking legal status when it is ordered and carried out through lawful process. During the Obama Administration, more than three million people were formally removed from the United States. More than two million others were returned, generally without formal removal orders. Large-scale immigration enforcement is not new to this country, nor is it unique to Donald Trump. What is different—and indefensible—is a federal government violating the rule of law in the name of enforcing it. I beli...

Strawberries are generous little things. They arrive bright, fragrant, and almost too pretty to be practical, then quietly offer vitamin C, fiber, and the kind of berry-rich plant compounds that make a glass of pink milk feel more thoughtful than indulgent. Whole milk gives the drink its body: protein, calcium, and that soft, creamy structure skim milk could only dream of having. Peppermint leaves bring a cool lift and a gentle nod toward digestion, while Manuka honey adds floral sweetness with antibacterial activity, and antioxidant and anti-inflammatory compounds. This is not a medicinal drink, and thank goodness. It can be a wellness drink without becoming annoying about it. Watch out, Erewhon. I use the Breville 3X Bluicer® Pro Blender & Juicer , which blends it into something smooth and faintly frothy, but any blender will do. INGREDIENTS [serves 1] 1 cup whole milk 9 ounces strawberries, hulled 10 peppermint leaves 1 tablespoon Manuka honey Add everything to the blender a...

In Thai and Lao kitchens, Pad Mee points broadly to stir-fried noodles: rice noodles loosened in a hot pan, glossed with sauce, sharpened by aromatics, and adjusted according to region, household, occasion, and whoever is standing closest to the wok. Ceramic bowl was wheel-thrown and glazed by me. Its history does not arrive with one neat origin story, which is part of its charm. Like many Southeast Asian noodle dishes, Pad Mee sits at the intersection of local rice culture, Chinese-influenced noodle cookery, and the everyday reality of feeding people quickly and well. Before a dish becomes famous enough to acquire fandom, it is usually just a meal. That is where Pad Mee is most interesting. It exists in variations: some sweeter, some darker, some spicier, some closer to Lao-style caramelized noodles served at gatherings, others tied to Thai regional cooking. Pad Mee Korat, from Nakhon Ratchasima, is one well-known branch of the family, but it is not the whole tree. Pad Mee’s real gl...

Before the clutch became the red-carpet punctuation mark of a gown, it had a more domestic ancestor: the reticule, a small handheld drawstring bag that emerged when women’s hidden tie-on pockets began losing their usefulness beneath slimmer, sheerer late-eighteenth- and early-nineteenth-century dresses. What had once been tucked under petticoats was suddenly carried in public, and privacy became ornament: silk, velvet, beadwork, embroidery, a little theater of necessity held in the hand. The bag was never only a container; it was a social adjustment, a concession to fashion’s old habit of taking away utility and selling it back as elegance. Yoko Ono: Music of Mind at The Broad The modern clutch came into its own in the 1920s and 1930s, when evening moved faster, dresses grew sleeker, and women needed only the glamorous minimum: powder, mirror, lipstick, perhaps money, perhaps not. Tiny dance purses, Art Deco shapes, celluloid and Bakelite, metalwork and beading turned the bag into an o...